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In the history of cinema, only a few novels have been adapted into as many movies. Frankenstein, Dracula, The Picture of Dorian Gray, and Lord of the Rings, as well as Frozen and World War Z, are among the best-known of all film adaptations from books. Some enjoy the medium for its escapism, others because books are more reinterpretable than movies and allow for more development of character, and still others because they enjoy the more dreamlike quality that movies offer. These and other considerations are considered by film aficionados and theorists, but they are not factors that the average film fan considers when choosing what movies to see.
What that person considers is pure gut reaction, the visceral response to a film that comes without thought. The more of these that a person sees, the more he or she is able to create film tastes. In a more specific sense, film is often considered the medium in which an idea, a metaphor, or a description of a social experience or emotion is told.
This is done through the choices made by the director, which is in turn codified by the production company. Different directors or production companies have chosen to tell different versions of the same story. The most important of these choices are those that center on the need for the protagonists to have a serious conflict. Conflict is also important in the suggestion that the characters are acting out a drama, or that the story is intended to convey a point or that it is meant to have a moral.
With film, as with literature, metaphors are very common. These metaphors and symbols are an invaluable tool in decoding the film; they play an important role in the text and the reading process.
Some films are philosophical works. Many movies that are about faith, belief, and the absurd are often called “found-footage” movies or movies that are set in “found-footage.” These films involve the discovery of something that is meant to be hidden, lost
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